He planted the garden that he had painted.

Claude Monet, 1840-1926

In 1883 Monet moved into a house at Giverny, in Normandy. He laid out the flower beds himself and filled them with irises. Later he added a water garden, with a pond and a Japanese footbridge. He spent the rest of his life painting what he had planted. He never went looking for a subject. He made one, then painted it as the light moved across it. This is that garden in 1900. More of our collectors return to Monet than to any other artist.

Claude Monet,The Artist's Garden at Giverny, 1900. Oil on canvas, 81.6 × 92.6 cm. Musée d'Orsay, Paris

ROOM BY ROOM

Start with the wall, not the painting.

In the entryway

Seen from three feet away, so detail reads and scale does not need to. Somewhere with a place in it — a coast, a harbour, a road you have driven.

COASTAL VIEWS

Over the bed

Quiet is the entire job. Botanicals sit above a headboard without competing with the room, and they take the low evening light better than anything else we print.

BOTANICAL

Along the stairs

A run of small pieces climbs a stair wall better than one large one ever will. Audubon engraved his birds as a series, which is exactly why they hang this way so easily.

AUDUBON PLATES

In the nursery

The one wall in the house that gets studied lying down. A submarine, a merfolk king, a whole court of mermaids — enough happening in it that a child finds something new for years.

NURSERY & KIDS

Behind the desk

The wall you look at all day, and the one that turns up on every call. Maps reward being read closely, which is the point of a wall you sit two feet from.

MAPS
Branch of the Seine near Giverny (Bras de la Seine près de Giverny), 1897 by Claude Monet canvas print in Oak frame
May Skies II Wall Art by Ethan Harper canvas print in Gold Framed Canvas
Le Canvas AtelierMay Skies II
Sale priceFrom $39.99
Water Lilies (Nymphéas), 1919-1922 by Claude Monet canvas print in Gold Framed Canvas

Our Floating FRAME FINISHES

FIVE FINISHES, ONE PROFILE

Every canvas is encased in a sleek, slim floater frame, featuring a subtle shadow gap at the edge to prevent the painting from directly touching the wood. The only variation lies in the finish, which can be black, white, gold, natural, or oak.

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